The Malayalam New Wave

Romil Udayakumar TNV





Jean-Luc Godard, often hailed as the father of the French New Wave film movement of the 1960s, was a visionary who transformed the landscape of cinema. His approach, reminiscent of Italian Neorealism and classical Hollywood cinema, paved the way for filmmakers to express their artistry beyond conventional norms. His passing at the age of 91 on September 13, 2022, marked the end of an era, but his influence continues to resonate, much like the current transformation within the Malayalam film industry.

In this industry, a paradigm shift is underway, where the artistry of cinema is no longer overshadowed by the star power of actors or the influence of production houses. Instead, it is the director’s vision that is being celebrated as the quintessential element of filmmaking. This shift is evident in the audience’s reception of Mammootty’s latest film, ‘Bramayugam.’ While Mammootty delivered an expectedly stellar performance, it was director Rahul Sivadasan’s foray into the horror and thriller genre that garnered acclaim, signifying a return to director-centric storytelling. The film 'Manjummel Boys' has taken Kerala and Tamil Nadu by storm, showcasing the meticulous craftsmanship of director Chidambaram and his team. Malayalam cinema, known for its artistry, cultural depth, and raw intensity, also embodies a sense of camaraderie absent in other industries. ‘Manjummel Boys’ epitomizes this spirit, propelling the Malayalam film industry to new heights and attracting a broader audience.

The eagerly anticipated film ‘Aadu Jeevitham’ by director Blessy was a cinematic rollercoaster. A pivotal moment occurs when the camera intimately zooms into a camel’s eyes, eliciting thunderous applause from the audience. This scene symbolizes a burgeoning movement in Malayalam cinema that elevates both directors and actors, fostering a collaborative environment that greatly benefits the art form.

Earlier this month, ‘Avesham’ emerged as an outright entertainer, largely due to Jithu Madhavan’s exceptional direction. While Fahadh Faasil’s portrayal was impeccable, it is Madhavan’s unique directorial style that truly shines, as evidenced by his previous success with ‘Romancham,’ a delightful surprise hit.

Cinema is an inherently collaborative art form. While certain individuals and roles are often highlighted, the essence of filmmaking is the collective effort of all involved. It is time to recognize the sculptors of this visual art form, who sometimes remain unsung. The current era of Malayalam cinema stands as a testament to the extraordinary directors who shape it and the camaraderie that binds it. This month’s cinematic offerings are a tribute to the talent and unity that define the industry, promising to usher in an era of well-deserved recognition and adoration for those who bring these stories to life.

In conclusion, as the Malayalam film industry evolves, it is heartening to see a renewed focus on the directors’ artistic vision. This shift not only enriches the cinematic experience but also ensures that the true architects of these visual narratives receive their due recognition. It is a movement that celebrates the collective spirit of creation, where every contribution is valued, and every voice

contributes to the symphony of storytelling. The future of Malayalam cinema looks bright, with directors and actors working in harmony to elevate the art form to unprecedented levels.

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